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	<title>Cyborg Romanticism - Revision history</title>
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	<updated>2026-05-11T14:44:13Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://alexandria.anarchaserver.org/index.php?title=Cyborg_Romanticism&amp;diff=60&amp;oldid=prev</id>
		<title>Gynepunk at 10:37, 8 October 2014</title>
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		<updated>2014-10-08T10:37:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:37, 8 October 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;'''Critical Debate: Cyborg romanticism and futurist fetisch-ization''' &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''keywords''': cyborg, Cyborgian romanticism, futurist fetisch-ization, feminist cyborg, debate, quotes reading&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''keywords''': cyborg, Cyborgian romanticism, futurist fetisch-ization, feminist cyborg, debate, quotes reading&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Gynepunk</name></author>
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	<entry>
		<id>https://alexandria.anarchaserver.org/index.php?title=Cyborg_Romanticism&amp;diff=59&amp;oldid=prev</id>
		<title>Gynepunk at 10:36, 8 October 2014</title>
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		<updated>2014-10-08T10:36:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://alexandria.anarchaserver.org/index.php?title=Cyborg_Romanticism&amp;amp;diff=59&amp;amp;oldid=23&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Gynepunk</name></author>
	</entry>
	<entry>
		<id>https://alexandria.anarchaserver.org/index.php?title=Cyborg_Romanticism&amp;diff=23&amp;oldid=prev</id>
		<title>Thf: Created page with &quot;http://transhackfeminist.noblogs.org/post/2014/07/24/critical-debate-cyborg-romanticism-and-futurist-fetisch-ization/ //init. using this as starting point as debate:  Xlterres...&quot;</title>
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		<updated>2014-09-26T18:25:21Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;http://transhackfeminist.noblogs.org/post/2014/07/24/critical-debate-cyborg-romanticism-and-futurist-fetisch-ization/ //init. using this as starting point as debate:  Xlterres...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;http://transhackfeminist.noblogs.org/post/2014/07/24/critical-debate-cyborg-romanticism-and-futurist-fetisch-ization/&lt;br /&gt;
//init.&lt;br /&gt;
using this as starting point as debate: &lt;br /&gt;
Xlterrestrials aboout THF! { Having  investigated the cyborg ideologies out there in CiTiZEN KiNO #31,  Xlterrestrials are still a Little unsure about Cyborgian romanticism and  futurist fetisch-ization, which in our view is leading to further  exploitation and degradation of our ‘natural’ environments, and to a  potentially techno-fascist climate, but the nice artwork and ideas for  Transhackfeminist meet IS alluring… and undoubtedly ENGAGED! }&lt;br /&gt;
http://xlterrestrials.org/plog/?p=12659&lt;br /&gt;
CiTiZEN KiNO #31: I’m A Cyborg, But That’s NOT OK !http://xlterrestrials.org/plog/?p=11659&lt;br /&gt;
pirate pad notes debate I’m A Cyborg, But That’s NOT OK !: http://piratepad.net/r3JWrjInYP&lt;br /&gt;
// Reazioni e antropotecniche di sopravvivenza - ippolita.net&lt;br /&gt;
related also to the ippolita critique &lt;br /&gt;
Le critiche alle tecnoburocrazie si possono agevolmente applicare  all'informatica del dominio, denunciata da Donna Haraway, «A Cyborg  Manifesto: Science, Technology, and Socialist-Feminism in the Late  Twentieth Century,» in Simians, Cyborgs and Women: The Reinvention of  Nature, New York, Routledge, 1991, p. 161. I sistemi cumulativi  gerarchici tendono a sviluppare modelli sociali concentrazionari a  prescindere dalle epoche. Le competenze personali richieste per  contribuire a tali sistemi decrescono con l'aumentare del potere  tecnico. In particolare, si veda l'analisi del sistema sovietico in  Cornelius Castoriadis, La societé bureaucratique, Bourgois, Paris, 1990&lt;br /&gt;
http://www.ippolita.net/it/libro/reazioni-e-antropotecniche-di-sopravvivenza&lt;br /&gt;
// fetishism - fetishisation - john holloway&lt;br /&gt;
then use the fetish analisis of holloway&lt;br /&gt;
The concept of fetishism is concerned with the explosion of power inside us, not as something tha is distinct from the separation of doing and done (as in the concepts of ‘ideology’ and ‘hegemony’), but as something that is integral to that separation. That separation does not just divide capitalists from workers, but explodes inside us, shaping every aspect of what we do and what we think, transforming every breath of our lives into a moment of class struggle. The problem of why revolution has not happened is not a problem of ‘them’, but a problem of a fragmented ‘us’.&lt;br /&gt;
http://www.johnholloway.com.mx/2011/07/30/class-and-classification/&lt;br /&gt;
http://libcom.org/library/chapter-4-fetishism&lt;br /&gt;
http://libcom.org/library/chapter-5-fetishism-fetishisation&lt;br /&gt;
// CybORG&lt;br /&gt;
A cyborg is [...] a hybrid of machine and organism, a creature of social reality as well as a creature of fiction.&lt;br /&gt;
Donna Haraway (1991: 149)&lt;br /&gt;
// chela sandoval - Nuevas ciencias. Feminismo cyborg&lt;br /&gt;
to go then to review feminist cyborg imaginaries&lt;br /&gt;
Sin embargo, no deja de resultar significativo que los teóricos de la globalización se comprometan ahora con la introducción de una política «cyborg» opositiva como si esta política hubiera emergido únicamente con el advenimiento de la tecnología electrónica, y no como resultado de una conciencia en oposición desarrollada bajo formas previas de dominación.&lt;br /&gt;
El cyborg de Haraway es la cría «ilegítima» de la sociedad dominante y el movimiento social de oposición, de la ciencia y la tecnología, de lo humano y la máquina, del «primer» y «tercer» mundo, del macho/varón y la hembra/mujer, de hecho, de cada par binario. La cualidad híbrida de esta criatura se sitúa, en relación a cada extremo de estas posiciones binarias y a cada deseo de totalidad, escribe Haraway, igual que la «blasfemia» (1995, p.251)  se posiciona en relación al cuerpo de la religión. La blasfemia de Haraway es el cyborg, el cual reprocha, desafía, transforma y escandaliza. un «feminismo cyborg» que sea «más capaz»    &lt;br /&gt;
que los feminismos de tiempos anteriores, escribe, de «mantenerse en sintonía con posicionamientos históricos y políticos específicos y con parcialidades permanentes sin abandonar la búsqueda de vínculos poderosos». Gayatari Spivak en su ejemplo de «esencialismo estratégico» que aboga tanto a favor de la movilidad como de la consolidación de la identidad al mismo tiempo. Las diferencias, escribe Haraway, deberían verse como ejemplos de «especificidad elaborada» y como una oportunidad para «el cuidado afectuoso que las personas deberían mostrar para aprender cómo ver fielmente desde el punto de vista del otro» (1995, p. 327). &lt;br /&gt;
// Cyborg: dedicated issue in Hysteria mexican magazine &lt;br /&gt;
http://hysteria.mx/editorial-8/&lt;br /&gt;
El  presente número de Hysteria aborda las problemáticas del cyborg, figura  prestada de la ciencia ficción, del ámbito bélico y espacial, para  reflexionar sobre la reconstrucción del cuerpo. Sin  embargo, presentamos al lector una selección de propuestas desmarcadas  del imaginario imperialista que, en sus múltiples representaciones  falocéntricas, mitad robot mitad humano, dominan el imaginario cultural.  Procuramos elegir obras textuales y visuales que se alejan de aquel  proyecto hipermoderno y militarmente omniabarcante, tanto en el orden de  lo simbólico como en lo social. Viramos, entonces, hacia una noción de cyborg afín  a las políticas corporales. Porque sustituir la carne, los órganos, o  los huesos, por metal o mecanismos, no es el verdadero problema, como  tampoco expandir las capacidades corporales. El cyborg existe pero la  condición corporal continúa imponiéndose. De igual modo, la psique  predomina, con sus problemas atemporales, sus miedos, sus placeres y sus  deseos, etc. En todo caso, nos interesan las modificaciones a las que  se somete el sujeto cuando no son efectuadas desde y para el sistema de  dominación en el cual se halla inmerso, sino cuando estas  trasformaciones son diseñadas por él mismo, en pos de una  performatividad disidente.&lt;br /&gt;
Hysteria es una  revista de cultura y sexualidad dirigida a personas interesadas en  explorar las políticas de representación del cuerpo desde la perspectiva  del arte y la búsqueda del placer entendidos como espacios políticos.&lt;br /&gt;
// The Cyberpunk Project&lt;br /&gt;
“Cyborg” is a science-fictional shorting of “cybernetic  organism”. The idea is that, in the near future, we may have more and  more artificial body parts – arms, legs, hearts, eyes – and digital  computing and communication supplements. The logical conclusion is that  one might become a brain in a wholly artificial body. And the step after  that is to replace your meat brain by a computer brain.&lt;br /&gt;
// Cyborg soldiers and militarised masculinities &amp;gt; http://www.eurozine.com/articles/2010-05-20-masters-en.html&lt;br /&gt;
Cyborg Soldiers http://www.slate.com/articles/health_and_science/human_nature/2007/11/cyborg_soldiers.html&lt;br /&gt;
http://www.chisasibi.org/world-war-1-soldiers-equipment&lt;br /&gt;
Soldier’s Disease&lt;br /&gt;
http://wiki.addictiontreatmentmagazine.com/medical/mental-health/soldier-s_disease/&lt;br /&gt;
// CYBORG ++LINKS&lt;br /&gt;
http://cyborganthropology.com/Main_Page&lt;br /&gt;
http://escritorasfantastikas.blogspot.com.es/&lt;br /&gt;
http://entregrietas.wordpress.com/tag/cibertransitos/&lt;br /&gt;
http://www.macba.cat/ca/trobades-entre-especies-el-feminisme-darrere-els-ciborgs&lt;br /&gt;
http://www.medienkunstnetz.de/themes/cyborg_bodies/&lt;br /&gt;
http://cyberartsweb.org/cpace/theory/hoofd/index.html&lt;br /&gt;
http://project.cyberpunk.ru/&lt;br /&gt;
http://www.blog.lucysombra.org/category/cyborg/&lt;br /&gt;
// FuturismS&lt;br /&gt;
From: Janelle Monáe: A New Pioneer Of Afrofuturism    &lt;br /&gt;
http://thequietus.com/articles/04889-janelle-mon-e-the-archandroid-afrofuturism     &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I'm a cybergirl without a face a heart or a mind,&lt;br /&gt;
&lt;br /&gt;
(a product of the man, I'm a product of the man),&lt;br /&gt;
I'm a saviour without a race (without a face).&amp;quot;&lt;br /&gt;
Janelle Monáe on 'Violet Stars Happy Hunting', from her debut EP 'The Chase'&lt;br /&gt;
&lt;br /&gt;
      the means to battle an oppressive regime and liberate the 'have not's  of society. Consider that the word 'machine' is thought by some to be  derived from the Greek word for remedy.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;In the era of slavery, people of African descent were human enough to  live and love and have culture, but were nonhuman to the extent that  they were 'machines', labour for capitalism&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
    Others perceive Afrofuturism as in conflict to the idea of even being  human, which music critic Kodwo Eshun describes as a &amp;quot;treacherous  category&amp;quot; for the Afrofuturist. If you aren't human neither can you be  &amp;quot;subhuman&amp;quot; or &amp;quot;nonhuman&amp;quot;, common descriptions in civilised societies for  'the other' i.e the marginalized ethnic classes, the impoverished and  the homosexuals - the &amp;quot;semiotic ghosts&amp;quot;, as William Gibson saw it. It is  part of a rejection of &amp;quot;black humanist&amp;quot; culture in favour of a new  subjectivity which jettisons the traditional image of &amp;quot;black bodies in  pain&amp;quot; expressed in blues and soul. Thus, if you're &amp;quot;intergalactic  funkadelic&amp;quot; (as George Clinton liked to put it), no longer is 'the self'  defined reactively by the freedom struggle against white oppressors,  who are allowed a presence by inference and thus are free to  over-determine African-American culture. As one blogger and Berkeley  history graduate Arri Acornly interprets this: &amp;quot;Black women can explore  the physical expressions of her feminine form without being sexualised  and animalised. A black man can just be a man and not a black man.&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
From: http://fyeahafrofuturism.tumblr.com/&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Afrofuturism, for me, is about speculating on the potentiality of  what is known about technology and physics to create metaphors that  allow me to explore an African diasporic past and generate possible  narratives for the future…Afrofuturism is also a rumination on memories  to which I have no access. My investment in it as a production strategy  has run its course; Afrofuturism provides a way to investigate trauma  very explicitly. But we only reenact traumas, don’t we? We don’t reenact  prom night, or our favorite birthday party. This is a problem—it  doesn’t seem to fix things; it amplifies them. There’s gotta be  something else, the after-the-trauma.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Cauleen Smith (Cauleen is a player in the movement of Afrofuturism,  an emergent literary and cultural aesthetic that combines elements of  science fiction, historical fiction, fantasy, Afrocentricity, and magic  realism with non-Western cosmologies in order to critique not only the  present-day dilemmas of people of color, but also to revise,  interrogate, and re-examine the historical events of the past - wiikipedia)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Black existence and science fiction are one in the same.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kodwo Eshun, “Further Considerations of Afrofuturism,”&lt;br /&gt;
// Lydia Lunch quotes  &lt;br /&gt;
... about change of self paradigmas&lt;br /&gt;
“I had to de-program myself. From myself. Had to reinvent rituals of purification. So full of the vagrant pollutions of others. It was time to detox. Not only from alcohol, sex, and drugs, but from needy leeches who looked to swab me with their sores. Detox from my own needy lechery. Had to locate the center wound and cauterize. Undo the original sin, the origin of my sickness...Had to learn to replace Them, It, Want, Hurt, Anger, Sorrow, Loss, with Power, Healing, Wisdom, Fulfillment, Satisfaction.”&lt;br /&gt;
― Lydia Lunch, Paradoxia: A Predator's Diary &lt;br /&gt;
// Walter Benjamin&lt;br /&gt;
The  art of the critic in a nutshell: to coin slogans without betraying  ideas. The slogans of an inadequate criticism peddle ideas to fashion.&lt;br /&gt;
Read more at http://www.brainyquote.com/quotes/authors/w/walter_benjamin.html#FgQ5rpl4cKTBGgFt.99&lt;br /&gt;
// Tecnochamanismo &amp;amp; Ecotécnia: other conceptual aproaches to tech+bodypolitics&lt;br /&gt;
http://tecnoxamanismo.metareciclagem.org/index.php?title=Espanhol&lt;br /&gt;
http://tecnoxamanismo.hotglue.me/&lt;br /&gt;
Las Ecotecnias son instrumentos desarrollados por el  hombre a través del tiempo, se caracterizan por aprovechar  eficientemente los recursos naturales y usar materiales de bajo impacto  para dar paso a la elaboración de productos y servicios (Wilkipedia,  2009)&lt;/div&gt;</summary>
		<author><name>Thf</name></author>
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