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	<title>Pornotrash English - Revision history</title>
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		<title>Spideralexx at 17:11, 5 October 2014</title>
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		<updated>2014-10-05T17:11:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://alexandria.anarchaserver.org/index.php?title=Pornotrash_English&amp;amp;diff=54&amp;amp;oldid=53&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Spideralexx</name></author>
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	<entry>
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		<title>Spideralexx: Created page with &quot;PORNO TRASH  CHAPTER I «Since our childhood we have been made feel ashamed of our body. First of all, under absurd pretexts (...), we have been prevented to masturbate, we ha...&quot;</title>
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		<updated>2014-10-05T17:07:17Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;PORNO TRASH  CHAPTER I «Since our childhood we have been made feel ashamed of our body. First of all, under absurd pretexts (...), we have been prevented to masturbate, we ha...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;PORNO TRASH&lt;br /&gt;
&lt;br /&gt;
CHAPTER I&lt;br /&gt;
«Since our childhood we have been made feel ashamed of our body. First of all,&lt;br /&gt;
under absurd pretexts (...), we have been prevented to masturbate, we have been&lt;br /&gt;
prevented to put our elbows on the table, we have been bound to never remain naked.&lt;br /&gt;
We have been led into feel ashamed of our body because it translates our desires even&lt;br /&gt;
when we don't dare to say them. We have been told: [to] submit ourselves with our &lt;br /&gt;
flesh, wear ties, underwear and bras, make a military salute, not to lay on the grass,&lt;br /&gt;
not to sit in your bosses office if not invited, remain seated in class...&lt;br /&gt;
[...]&lt;br /&gt;
FREE DISPOSITION OF OUR BODY »&lt;br /&gt;
Tout! n. 12, 23 april 1971, Journal du groupe « Vive la révolution » FAHR&lt;br /&gt;
http://semgai.free.fr/contenu/archives/Tout/TOUT12.html&lt;br /&gt;
Our body&lt;br /&gt;
is in continuous relationship with space, so we have to&lt;br /&gt;
« recognise that in society individuals undergo oppression related to their own&lt;br /&gt;
physical features.»&lt;br /&gt;
Francine Barthe-Deloizy, 2003, Géographie de la nudité. Etre nu quelque part. Ed. Bréal.&lt;br /&gt;
Our body&lt;br /&gt;
« marks a boundary between self and other, [...] It is our means for connecting&lt;br /&gt;
with, and experiencing, other spaces».&lt;br /&gt;
Gill Valentine, 2001, Social Geographies: Space and Society, New York: Prentice Hall, p. 15.&lt;br /&gt;
Our body&lt;br /&gt;
is a barrier between intimate and public, our individual and personal space&lt;br /&gt;
where the collective rules are integrated or challenged.&lt;br /&gt;
Our body&lt;br /&gt;
« is not just in space but it's space itself »&lt;br /&gt;
Johnston L. et Longhurst R., 2010, Space, Place, and Sex: Geographies of Sexualities, Lanham MD:&lt;br /&gt;
Rowman and Littlefild.&lt;br /&gt;
Our body&lt;br /&gt;
« is also directly involved in a political field; power relations have an&lt;br /&gt;
immediate grip on it; they invest it, mark it, train it, torture it, force it to carry&lt;br /&gt;
out tasks, to perform ceremonies, to emit signs ».&lt;br /&gt;
Foucault M.,1975, Surveiller et punir, Gallimard, Paris. Discipline &amp;amp; Punish - The Birth of the Prison. Tr.&lt;br /&gt;
Sheridan. NY: Vintage, 1995.&lt;br /&gt;
But women's body&lt;br /&gt;
« is everywhere, posted, filmed and advertised. A standard body strategically-normed.&lt;br /&gt;
I can't take it any more, the images of the body, staged, coded as to strictly comply&lt;br /&gt;
with social hierarchies that divide and link the body between them ».&lt;br /&gt;
Ton corps est un champ de bataille (fanzina, Lione, 2000)&lt;br /&gt;
The war waged against women's bodies&lt;br /&gt;
« is also a war waged over our right to exist at all, with all our strengths, limitations,&lt;br /&gt;
abilities, and vulnerabilities, in our full diversity and common humanity. »&lt;br /&gt;
Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman&lt;br /&gt;
Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).&lt;br /&gt;
The war waged against women's bodies&lt;br /&gt;
« is also a conflict over race and skin colour, played out in deeply held stereotypes&lt;br /&gt;
about the value and beauty of whiteness that saturate our culture and language, and&lt;br /&gt;
are used to colonize non-white people and non-western societies ».&lt;br /&gt;
Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman&lt;br /&gt;
Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).&lt;br /&gt;
And between all these bodies&lt;br /&gt;
« there's my body. My body which is me, that reacts, that's immobilized. [...] A body&lt;br /&gt;
shaped by collective discourses, by the movement, in the sense of the little physical&lt;br /&gt;
exercise I do, movement in the sense of the movements that have failed and that write&lt;br /&gt;
it on me. Lungs which have breathed CS, but head that has never been broken by a&lt;br /&gt;
truncheon. Pussy penetrated by too many people that should have never even come&lt;br /&gt;
close, anus worked over by tongues, hands, feet, dildos, but above all mouth that has&lt;br /&gt;
swollen too many times the disgust produced by this society, the fascism, the gender&lt;br /&gt;
based violence, the indiscreet harassment that happens on the streets, at home and in&lt;br /&gt;
squats. [...] ».&lt;br /&gt;
http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/&lt;br /&gt;
« a naked body&lt;br /&gt;
is not only&lt;br /&gt;
a naked body&lt;br /&gt;
it's a commercial product&lt;br /&gt;
a weapon of mass consciousness&lt;br /&gt;
a territory in a permanent war&lt;br /&gt;
everything depends on the context&lt;br /&gt;
where the naked body is shown&lt;br /&gt;
what does the naked body do&lt;br /&gt;
who's is the naked body&lt;br /&gt;
how is the naked body&lt;br /&gt;
context&lt;br /&gt;
gender&lt;br /&gt;
race&lt;br /&gt;
class&lt;br /&gt;
age&lt;br /&gt;
differences' variables&lt;br /&gt;
oppression's variables&lt;br /&gt;
body of woman&lt;br /&gt;
body of naked woman&lt;br /&gt;
object to be shape&lt;br /&gt;
liposuction&lt;br /&gt;
cream&lt;br /&gt;
epilation&lt;br /&gt;
gentle underwear&lt;br /&gt;
and a handbag by Vuitton&lt;br /&gt;
body of naked woman&lt;br /&gt;
space to inhabit&lt;br /&gt;
[...]&lt;br /&gt;
body of woman&lt;br /&gt;
poor bodies&lt;br /&gt;
old bodies&lt;br /&gt;
strange bodies&lt;br /&gt;
abnormal bodies&lt;br /&gt;
space to inhabit,&lt;br /&gt;
to take possession,&lt;br /&gt;
to make it THEIR OWN masterpiece&lt;br /&gt;
to shape it&lt;br /&gt;
to form it&lt;br /&gt;
to put their own brand&lt;br /&gt;
and if it rebels&lt;br /&gt;
and if it resists&lt;br /&gt;
and does not collaborate with their oppression&lt;br /&gt;
it's a body to insult&lt;br /&gt;
to put in chains&lt;br /&gt;
to violate&lt;br /&gt;
rape&lt;br /&gt;
weapon of mass destruction&lt;br /&gt;
[...]&lt;br /&gt;
patriarchy&lt;br /&gt;
weapon of mass destruction&lt;br /&gt;
body of a woman&lt;br /&gt;
body of a poor woman&lt;br /&gt;
body of a black woman&lt;br /&gt;
body of an indigenous woman&lt;br /&gt;
strange bodies&lt;br /&gt;
territory to occupy&lt;br /&gt;
territory:&lt;br /&gt;
that which is controlled by a certain type of power&lt;br /&gt;
body:&lt;br /&gt;
that which is controlled by a certain type of power&lt;br /&gt;
which power?&lt;br /&gt;
[...]&lt;br /&gt;
Helen La Floresta « Donde yo mando », http://helenlafloresta.blogspot.fr/&lt;br /&gt;
My body&lt;br /&gt;
IS A BATTLEGROUND&lt;br /&gt;
Barbara Kruger&lt;br /&gt;
Its limits design the moral order and meaning of the world. To conceive the body is a&lt;br /&gt;
way to conceive the world.&lt;br /&gt;
So my world,&lt;br /&gt;
my body,&lt;br /&gt;
I see it,&lt;br /&gt;
I conceive it,&lt;br /&gt;
I create it... this way:&lt;br /&gt;
CHAPTER II&lt;br /&gt;
« I look for my own images. Playful. I started painting bodies, often the same.&lt;br /&gt;
Androgynous. rhythms, caresses, movements, projections of multiple desires, panting&lt;br /&gt;
is a pleasure. A libido in action. »&lt;br /&gt;
Ton corps est un champ de battaille (fanzina, Lione, 2000)&lt;br /&gt;
« [...] Contrasexuality is an artistic creation and we are the artists of the G point. The&lt;br /&gt;
map of my body is made up of millions of dildos, as many orifices as the pores of my&lt;br /&gt;
skin and I could come rubbing your neck with my nose, while you're unexpectedly&lt;br /&gt;
penetrate a place of me that is considered impenetrable. Foolish the one who one day&lt;br /&gt;
said to me &amp;quot;Yes, but I sure will not come rubbing the hollow of the arm&amp;quot;. We refute it.&lt;br /&gt;
Collectively by skin, hands and head ».&lt;br /&gt;
http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/&lt;br /&gt;
« The spaces of freedom that bodies take are sometimes unexpected in their&lt;br /&gt;
unpredictability in front of the power »&lt;br /&gt;
http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/&lt;br /&gt;
For this reason&lt;br /&gt;
« I started exploring S/M as a bottom, and I still put my legs up in the air now and&lt;br /&gt;
then. [...] In addition to being a sadist, I have a leather fetish. If I remember my&lt;br /&gt;
Krafft-Ebing, that's another thing women aren't supposed to do[...]. [therefore] I am&lt;br /&gt;
obviously a sex pervert, and good real true lesbians are not sex perverts. They are&lt;br /&gt;
high priestesses of feminism, conjuring up the wimmin's revolution. As I understand&lt;br /&gt;
it, after the wimmin's revolution, sex will consists of wimmin holding hands, taking&lt;br /&gt;
off their shirts, and dancing in a circle. Then we will all fall asleep at exactly the&lt;br /&gt;
same moment. If we didn't all fall asleep, something else might happen - something&lt;br /&gt;
male-identified, objectifying, pornographic, noisy, and undignified. Something like&lt;br /&gt;
an orgasm ».&lt;br /&gt;
Pat Califia, 1994, Public sex -The Culture of Radical Sex. Cleiss Press. p. 158 - 159&lt;br /&gt;
If I don't enjoy my pleasure,&lt;br /&gt;
if I don't laugh,&lt;br /&gt;
if I don't sing,&lt;br /&gt;
if I don't fuck,&lt;br /&gt;
if I don't touch,&lt;br /&gt;
if I don't play,&lt;br /&gt;
« If I can't dance, it's not my revolution »&lt;br /&gt;
Emma Goldman&lt;br /&gt;
And without my friends « I am nothing »&lt;br /&gt;
Diana Pornoterrorista&lt;br /&gt;
They are there if I transform into&lt;br /&gt;
« Sleeping Beauty.&lt;br /&gt;
It's so called a lover who forget to have a clitoris. So she falls into a sleepiness of&lt;br /&gt;
which she doesn’t even know the reason. The sleepy spell ends for the Beauty when&lt;br /&gt;
[the lovers] gently remind her that she has a clitoris».&lt;br /&gt;
Wittig, Monique e Sande Zeig, 1976, Brouillon pour un dictionnaire des amantes, Parigi, Grasset.&lt;br /&gt;
I want&lt;br /&gt;
« Hair.&lt;br /&gt;
Hair is the name of the glorious fleece that cover legs, arms, armpits, pubis and part&lt;br /&gt;
of the body. [Some lovers] admire the designs they form. Some admire its colours or&lt;br /&gt;
length. Some like how they are distributed over the body. Many lovers envy those&lt;br /&gt;
who have strong dark hairs. These cut their hair to make them grow stronger and&lt;br /&gt;
thicker ».&lt;br /&gt;
Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset&lt;br /&gt;
I don't want&lt;br /&gt;
« Clothes.&lt;br /&gt;
Ballad singer say that when happens to ask to lovers of lovers people how do they&lt;br /&gt;
like to dress, they say that they don't like to do it, and it really seems they don't like to&lt;br /&gt;
do it.&lt;br /&gt;
Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset.&lt;br /&gt;
Let's start with an evidence: nudity itself means nothing [...] But this incredible&lt;br /&gt;
neutrality is cancelled when related to a place, a context [...]. If undressing to take a&lt;br /&gt;
shower is a necessity, a banality, going to the opera or the restaurant completely&lt;br /&gt;
naked is considered a provocation or exhibitionism.&lt;br /&gt;
[...]&lt;br /&gt;
Throughout history, with various pretexts, nudity has been loaded with value,&lt;br /&gt;
standards, taboo. It became scandalous, exciting, obsessive or innocent.&lt;br /&gt;
[...]&lt;br /&gt;
The place serves as an evaluation criteria of nudity: incongruous and shocking in&lt;br /&gt;
certain situations, ordinary or daily in others. The situation of ordinary or&lt;br /&gt;
extraordinary nudity, spectacular or trivial, have an effect of characterizing spaces&lt;br /&gt;
where nudity has its place or not.&lt;br /&gt;
Nudity produces places[...].&lt;br /&gt;
When nudity breaks into public spaces [...] produces a formidable visual impact and&lt;br /&gt;
an incontestable subversive effect.[...]&lt;br /&gt;
Nudity, private or public, individual or collective, creates places, territories, practices,&lt;br /&gt;
works on rules, on codes, on histories, on morals and ideologies».&lt;br /&gt;
Francine barthe-Delozy, 2003, Gèographie de la nuditè. Etre nu quelque part. Ed. Brèal.&lt;br /&gt;
Nudity creates relations,&lt;br /&gt;
my body creates relations:&lt;br /&gt;
MY BODY IS A PLAYGROUND&lt;/div&gt;</summary>
		<author><name>Spideralexx</name></author>
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